Contemporary painting and Indian politics

[Husky]

A comment at the Rajeev2004 blog:

witan said...

OT: Philippine Art Exhibit, Offensive to the country’s Christian majority, Is Closed

The New York Times [Tuesday] August 9, 2011

By CARLOS H. CONDE

“Critics called it an affront to Christianity in a country whose population of 94 million is predominantly Roman Catholic. Among the works on display was a wooden cross with a protruding penis. ... ...

“In one part of the installation, a used condom was draped on a cross.”



Compare with Safdar Hashmi Memorial Trust's "Sahmat" exhibition, and a certain MF's obscene splotches, both in our country.

The above comment links to:

www.nytimes.com/2011/08/10/world/asia/10philippines.html

Criticized Philippine Art Exhibit Is Closed

By CARLOS H. CONDE

Published: August 9, 2011



[photo caption:](Photo: Romeo Ranoco/Reuters)

Mideo Cruz's art mixes images from religion and popular culture. Imelda Marcos is not a fan.



MANILA — Officials shut down a controversial art exhibition on Tuesday after a storm of public protest that included criticism from President Benigno S. Aquino III, who called the artwork offensive to the country’s Christian majority.



One of the artists whose work was on display at the Cultural Center of the Philippines, Mideo Cruz, criticized the action, saying in an interview that it would “become a freedom of expression issue” with far-reaching implications for artists and government-financed venues like the cultural center.



The exhibit, which opened in June, had been scheduled to close Aug. 21. Critics called it an affront to Christianity in a country whose population of 94 million is predominantly Roman Catholic. Among the works on display was a wooden cross with a protruding penis.



Although the cultural center’s board cited vandalism and threats as the reasons for the closing, Mr. Aquino said on Tuesday that he had told board members that the exhibition was inappropriate for a center that relies on public financing.



While he respected freedom of expression, the president said, that freedom is not absolute.



The center’s board said in a statement on Tuesday that it would “continue to act as catalyst for free expression of Filipino artists” but that it had “reviewed its policies” and that it was “taking steps to enable its officers and staff to make more informed decisions in the future.”



The board did not give details about the threats, apart from pointing out that Mr. Cruz’s installation was vandalized on Aug. 4 and that a couple tried to set it on fire. “Subsequent hate mails and threats to members of the board intensified following this incident,” it said.



Karen Flores, head of the center’s visual arts department, which organized the exhibit, said in a text message to artists and colleagues that the threats had come via text messages and e-mails. She warned Mr. Cruz “to be extra careful.”



On Monday, Imelda Marcos, the country’s former first lady, visited the exhibition and expressed her disgust at Mr. Cruz’s work, which featured religious images and icons mixed with images of pop culture figures. In one part of the installation, a used condom was draped on a cross.



Mrs. Marcos, who oversaw construction of the center during the rule of her husband, Ferdinand Marcos, said she had persuaded the board to close the exhibit.



“It was a shameful exhibit, especially since it was placed in the Cultural Center of the Philippines,” Mrs. Marcos told reporters on Monday. “We built that to be the sanctuary of the Filipino soul and a monument to the Filipino spirit.”



Mr. Cruz is known for his irreverent installations, which he says are meant to raise questions about the “culture of idolatry” in the Philippines. He began work on the installation, “Poleteismo,” in 2002, and it has been exhibited in various venues, including a Jesuit university.



The controversy erupted several days ago when a television network broadcast a report that focused on the male genitals protruding out of the cross and on the condom.



A version of this article appeared in print on August 10, 2011, on page A12 of the New York edition with the headline: Criticized Philippine Art Exhibit Is Closed.